The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’? The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of                                            ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the                                            viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The                                                                                                        [VIDEO/ EVENT/ AUDIO/ TEXT]  invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice                                                             of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map                                                                  out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift                                                         typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?The [VIDEO/ EVENT/ AUDIO/ TEXT] invites you to orientate yourself through gaps in narrative, multi-screen installations and unreliable facts[2]. Often adopting the voice of the [INSTITUTION], mini audio-visual essays deconstruct the implications of context and trace unusual spatial narratives[3]. What systems of logic do [YOU] use to map out your reality? And if these were multiplied, amplified and destabilized could the absurdity reveal new perspectives? [COLLABORATION] allows [ARTWORK] to shift typical systems of ownership and choice making[4]. Interactive [SCULPTURES/EVENTS] reiterate these new relational possibilities, acting as a catalyst in considering the macro implications of the viewing experience that exist beyond the site. Could the artwork become an unrehearsed performance of the subject: ‘influence, habit & agency’?

Ella Phillips has also explored how the audience becomes part of an art work but whether this can happen unintentionally and whether our behaviours can be manipulated or governed through the design of our environment.