1:1 Hyper Body, acrylic on paper, 2016, London
X
X
X
AAAAAAAAAAAAADDDDDDDDDDMMMMMMCCCCCCCCCCCPPPPPPPPPPPPPPPPPPP
ADMCP=Architectural and Digital Material Cultural Probe
indexicalindexicalindexical
MultiplicityMultiplicityMultiplicity
essential conceptionsessential conceptionsessential conceptions
ON AESTHETICS, BRICOLAGE, COLOUR, DIGITAL, MATERIALITY AND MOVEMENT!
ON the Pitt Rivers Museum, Oxford, and Petrie Museum of Egyptian Archaeology, London ON West Bromwich, London, Los Angeles and Auckland
ON Neo-Tokyo, Los Santos, New York, Miami and Cairo
ON Nintendo Virtual Boy, HTC Vive, Titan Fall, StarCraft, Double Dragon, Grand Theft Auto (GTA), Max Payne, Delta Force, Hotline Miami, Kim Dotcom, Predator, Akira and Neon Evangelion Genesis.
1. Fun Palace (Cedric Price, 1960-1966)
2. Inter-Action, London, UK, (Cedric Price, 1970-1981)
3. Kentish Town City Farm, London, UK (documented 2017)
4. The Public, West Bromwich, UK (Will Alsop, documented 2016)
5. Club Arcadia, West Bromwich, UK (documented 2016)
6. Hotline Miami, Miami, US (1989)
7. Grand Theft Auto: Vice City, Miami, US (1986)
8. Grand Theft Auto V, Los Santos, US (2013)
9. Max Payne, New York, US (1987)
10. Delta Force, Cairo, Egypt (1985)
11. The Personal Effects of Kim Dotcom, Auckland, NZ (Simon Denny, 2014)
12. ADMCP, London, UK (2017)
hyper ADMCP primer, hyper domesticity, hyper landscape and hyper architecture
turning technology into an essential support for culture rather than just academically studying it
TURNING TECHNOLOGY INTO AN ESSENTIAL SUPPORT FOR CULTURE RATHER THAN JUST ACADEMICALLY STUDYING IT!
KitschKitschKitsch
IndexicalityIndexicalityIndexicality
confronting multiple bodies and multiple fields of references!
the emerging new realities of virtual shall never directly and solely conjecture to physicality!
very framework referring to the etymology of index (forefinger) and digital (finger) re-create a more precise and advanced understanding of DIGITALDIGITALDIGITAL!!!
Virtual Reality (VR), Drawing, Painting and Collaging
reformat and transcode the existing materials, references and files
and at this certain moment and at this certain moment
the concept of originality and authorship will ULTIMATELY BE VANISHED! VANISHED!
the only intrinsic value of pre-existing references shall always toward to an expressive and dynamic re-contextualization process!!!
the material infrastructures act
as essential way of explicating conceptual superstructures
SMASH THE AFFECTATIONS OF HIDING RUTHLESS INTERESTS ON MATERIALITY BEHIND THE SO-CALLED NOTIONS OF ART, CULTURE, TECHNOLOGY, RELIGION AND POLITICS!
filtering, grazing, skimming and forwarding
filtering, grazing, skimming and forwarding
AESTHETIC COMSUMPTION
CCCOOOMMMSSSUUUMMMPPPTTTIIIOOONNN!
X
X
X