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1:1 Hyper Body, acrylic on paper, 2016, London

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AAAAAAAAAAAAADDDDDDDDDDMMMMMMCCCCCCCCCCCPPPPPPPPPPPPPPPPPPP

ADMCP=Architectural and Digital Material Cultural Probe

indexicalindexicalindexical

MultiplicityMultiplicityMultiplicity

 

essential conceptionsessential conceptionsessential conceptions

ON AESTHETICS, BRICOLAGE, COLOUR, DIGITAL, MATERIALITY AND MOVEMENT!

ON the Pitt Rivers Museum, Oxford, and Petrie Museum of Egyptian Archaeology, London ON West Bromwich, London, Los Angeles and Auckland

ON Neo-Tokyo, Los Santos, New York, Miami and Cairo

ON Nintendo Virtual Boy, HTC Vive, Titan Fall, StarCraft, Double Dragon, Grand Theft Auto (GTA), Max Payne, Delta Force, Hotline Miami, Kim Dotcom, Predator, Akira and Neon Evangelion Genesis.

1. Fun Palace (Cedric Price, 1960-1966)

2. Inter-Action, London, UK, (Cedric Price, 1970-1981)

3. Kentish Town City Farm, London, UK (documented 2017)

4. The Public, West Bromwich, UK (Will Alsop, documented 2016)

5. Club Arcadia, West Bromwich, UK (documented 2016)

6. Hotline Miami, Miami, US (1989)

7. Grand Theft Auto: Vice City, Miami, US (1986)

8. Grand Theft Auto V, Los Santos, US (2013)

9. Max Payne, New York, US (1987)

10. Delta Force, Cairo, Egypt (1985)

11. The Personal Effects of Kim Dotcom, Auckland, NZ (Simon Denny, 2014)

12. ADMCP, London, UK (2017)

 

hyper ADMCP primer, hyper domesticity, hyper landscape and hyper architecture

turning technology into an essential support for culture rather than just academically studying it

TURNING TECHNOLOGY INTO AN ESSENTIAL SUPPORT FOR CULTURE RATHER THAN JUST ACADEMICALLY STUDYING IT!

KitschKitschKitsch

IndexicalityIndexicalityIndexicality

confronting multiple bodies and multiple fields of references!

the emerging new realities of virtual shall never directly and solely conjecture to physicality!

very framework referring to the etymology of index (forefinger) and digital (finger) re-create a more precise and advanced understanding of DIGITALDIGITALDIGITAL!!!

Virtual Reality (VR), Drawing, Painting and Collaging

reformat and transcode the existing materials, references and files

and at this certain moment and at this certain moment

the concept of originality and authorship will ULTIMATELY BE VANISHED! VANISHED!

the only intrinsic value of pre-existing references shall always toward to an expressive and dynamic re-contextualization process!!!

the material infrastructures act

as essential way of explicating conceptual superstructures

SMASH THE AFFECTATIONS OF HIDING RUTHLESS INTERESTS ON MATERIALITY BEHIND THE SO-CALLED NOTIONS OF ART, CULTURE, TECHNOLOGY, RELIGION AND POLITICS!

filtering, grazing, skimming and forwarding

filtering, grazing, skimming and forwarding

AESTHETIC COMSUMPTION

CCCOOOMMMSSSUUUMMMPPPTTTIIIOOONNN!

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